Unplugged teacher training

I enjoyed an interview of Anthony Gaughan by Andi White at this year’s IATEFL (online), a real conversation about whether dogme is ‘enough’. Andi mentions “principled ecclectivism“, essentially fitting the method to the learner. Anthony responds that a good teacher should be able to operate in a wide range of ways. Though I like the focus on getting students talking and collecting the emergent language, I’d say novice teachers need to learn the full range, essentially: how do I teach the various skills (not “just” conversation), what do I do with scripts and materials once I have them, how do I vary drills, etc. I read Scott Thornbury’s How to Teach Speaking over Easter. It makes teaching without a lot of materials far more concrete and accessible, as it breaks things down into

  1. raising awareness to make students notice language
  2. controlled practice to let them appropriate it
  3. moving them towards autonomy

Next up:  reading Teaching Unplugged properly, rather than just dipping into it, in light of thinking about methodology this week in our course. Anyway, here’s the interview.

Andi was referring to Anthony and Izzy Orde’s session given at IATEFL 2010 – so last year – on unplugged CELTA teacher training, which I just got around to watching today:

Anthony and Izzy have a blog: http://teachertrainingunplugged.wordpress.com/

PS: read Anthony’s feedback on Chris Miner’s nice reflective blog: http://wnts2teach.posterous.com/47306919#comment

Black Dub: Surely – Silverado

A silverado pairing, surely. Black Dub is Daniel Lanois (songwriter, producer for U2 and Dylan and others) and Trixie Whitley, she of the big, fat voice. Touching, intimate songs like Surely, a reincarnation of Amazing Grace, and funky, jazzy stuff. Got tickets for Berlin on 29 July. Coming?
I think a Silverado is a type of Chevy so I imagine them cruising in a silver-colored one. Have you seen the film of the same name? But my immediate association with the shimmering silvery theme remains: Hi-ho, Silver!
PS: Have just watched the intro again and Daniel Lanois talks about riding morotcycles with his brother. So it’s Silverado motorcycles.

by Daniel Lanois
If he refuses I’d still go on
Till the heaven and earth are gone
Time may rage but rage in vain
My designs unchanged will remain

The night is my shepherd, the moonlight is my guide
You were close by, now the distance is so wide
You found me blind, you taught me how to see
Now it’s so hard to have you away from me

Surely you were meant to be mine
Surely you were meant to be mine

You command my hand to write
In the dark hours of deep midnight
Your love is a love, a love like no other
The wings of joy forever flutter

Surely you were meant to be mine
Surely you were meant to be mine

Fortune favors the brave they say
But my bravery could not convince me to stay

If he refuses I’d still go on
Till the heaven and earth are gone
Fortune favors the brave they say
My bravery could not convince me to stay

Surely you were meant to be mine
Surely you were meant to be mine

by Daniel Lanois

Black ice was everywhere
At every corner but we didn’t care
Silveradi, silver nights, on Silverado
The laughter would not quit
It really felt like it was it
Silveradi, silver nights, on Silverado

The depth of the dream we fell in
Not for any tongue to speak in
Ah, yes, it’s all right to see
The light to eternal land
Silveradi, silver nights, with you, Silverado

Sweet empire time
Before the bomb burned out the rhyme
Silveradi, silver nights, on Silverado
The fever was so strong
And the nights were never wrong
Silveradi, silver nights, on Silverado

No worries came to mind
We blazed it, knew no time
Drunk on a silver moon
Singing out their own tune
Silveradi, silver nights with my Silverado

(The room was hell on fire
As the engines were desire
Oh, the nights of the silver needle, Silverado)
Til it finally dawned on me
Like the pounding of the sea
Those silver nights had slowly faded on Silverado

Don’t stand in the cold for too long
We want you staying strong
Don’t walk the plank for your song
Going to miss you when you’re gone
Silveradi, silver nights, with you Silverado

It finally dawned on me
Like the pounding of the sea
Those silver nights were slowly fading Don’t walk the plank for your song
Going to miss you when you’re gone
Silveradi, silver nights, with my Silverado
Silveradi, silver nights, with my Silverado
Silveradi, silver nights, oh Silverado

Black Dub site

The Webbies

In EFL, we are just so behind. Look at the brilliant stuff that media designers and game builders and public educators and entertainers are up to, and it makes you want to weep. I have to stop surfing now, and get back to work, but it’s just too cool, all of it. A very few of my favorites in the competition, which ends today:

Check out the Webbies http://webby.aol.com/ and tell me which ones you like! Warning: Hours later…

Sue Palmer

In her IATEFL plenary on ADHD, Asperger Syndrome and dyslexia, Sue Palmer hits home: that development happens in ‘biological time’, and that children are missing out on essential interpersonal learning when they have less quality face time. She refers to Peter Hobson, a specialist on autism.

“In this presentation, she discusses how rapid socio-cultural change, driven by a hyper-competitive consumer economy, has transformed children’s lives in ways that can affect physical, emotional, social and cognitive development. She also looks at the simple ways adults can work together to ‘detoxify’ childhood – all of which are free.”

She doesn’t want children interacting with screens until the age of 7. Children in the UK today are spending 5-6 hours a day in front of a screen. Literacy – if children can focus their attention, can slow down enough to learn to read and write – that changes the architecture of the mind and creates interconnectivity. “As Neil Postman, the essayist, put it, literacy slows down the brain, slows down the mind, it makes you more civilized, more thoughtful, more rational. Electronics, Postman said, speeds up the mind. Now, can I just say I’m not knocking electronics. Love it to bits. But let’s make sure our children can read, write, listen, play – real play, not fun play! – before we start them on it!”

More to read: Sally Ward:  BabyTalk

Learning about learners

In my course we’re writing essays, and I summarized some recent learnings on learners. May not make for very exciting reading, but writing it all down does clear the mind of many, many cobwebs!


‘If we can train students to record their new lexis in a more useful manner, we can do a lot to help their progress’ (Jim Scrivener, Learning Teaching, Macmillan 2005:239).

List FOUR strategies that learners can use to organize their learning of lexis effectively.

In language teaching, there has been a shift in focus away from the role of the teacher in a given setting to that of the autonomous learner, highlighting learner needs and learning strategies as a part of the need for lifelong self-directed learning. This shift is particularly useful as expert users of L2 build lexis throughout their lifetime, continuing to acquire language in new contexts, exploring unfamiliar lexical fields and dealing with specialized terminology in higher education, on the job and in new social environments.

Coaching learners to develop effective methods of organizing their note-taking, documenting their takeaways in class and in self-study, as well as helping them develop options for creating their own revision materials can go a long way to motivating and empowering them as learners. Ideally, the methods they employ should link together the input, the practice, and the review of new lexis, and also serve as reference. Four effective strategies that combine all of these goals, and will appeal to learners with different learning preferences, include:

1.    creating paper or digital flashcards
2.    using graphic organizers
3.    applying lexis in extended writing
4.    recording audiofiles

These strategies may well be used in combination to achieve different purposes.

1. Creating paper or digital flashcards

Homemade flashcards have many uses in learning. In a refresher class, they can be used to pre-test and then introduce missing key vocabulary before a text is presented. During presentation, learners can select words that have come up, or contrast the words given with those heard or read. Afterwards the flashcards can be used in a wide variety of communicative sorting, matching, defining, guessing, storytelling, memory building and other revision activities.

Blank cards thrown into the mix, perhaps with a given format to fill in, will allow the learners to add words, fill in definitions, translate, copy out reference sentences and form new models, or list various words representing aspects of the word’s meaning, as you would find on a “Taboo” game card. Another variation is to make a gapped vocabulary card that makes learners recollect the word from a set of collocations. Learners can use such tailor-made cards in combination with picture cards, for associative storytelling and memory; in bartering games, where a buyer has to define a word properly to earn it; in “Reverse Taboo”, where the player has to use all of the words on the card to define it (with his team guessing the word) or in straight “Taboo”, where the player has to define it without using the given words. They can also be combined with commercially available sets of flashcards.

Various models of flashcards for learning:

Completely blank or formatted blank cards are ideal vehicles for logging emergent vocabulary in class, which can then also be revised using the above methods. Their potential for communicative activities is what makes cards far more versatile than individually kept lists. If decks of flashcards are to be written up in class for emergent group activities, each group does need to have a designated scribe, even as the individual students keep their own notes on the emergent vocabulary, and periodic rounds of comparing notes and having the teacher check for errors are needed.

Though the effort of making flashcards is substantial, their potential for individual revision is huge. German science journalist Sebastian Leitner developed what is now called the Leitner system in the 1970s, whereby flashcards are placed in a box with five subdivisions, and reviewed in cycles, based on the principle of increasing intervals. The learner works through the subdivisions from front to back: New vocabulary goes in front, into division one, and is reviewed, and any vocabulary that was familiar is moved into subdivision two, while vocabulary that was not remembered stays in one. Subdivision two is reviewed in the same way, known vocabulary being moved into subdivision three. So vocabulary moves through the subdivisions from front to back, each successive subdivision being revisited less frequently than the one before it. By the time words reach subdivision five, they are anchored in long-term memory. This tried and tested method has been implemented in computer-assisted language learning and flashcard software. New apps running on a variety of handheld platform will incorporate sharing through social networks.

Using flashcards for revision of classroom work generally appeals most to learners who enjoy kinesthetic styles of learning. The communicative aspect of the way the cards are used in class may appeal to learners with a relatively high level of what Gardner calls interpersonal intelligence, while maintaining a well-organized deck is very much the domain of the solitary learner. Creating a set of flashcards for each learner requires dedication and oversight by the teacher, and can be particularly complicated to coordinate in large classes. Overall, creating and working with such flashcards is a learning strategy that requires a relatively high level of learner commitment, and may work best in exam courses or in closely knit groups.

2. Using graphic organizers

Graphic organizers are useful for presenting words that cluster together to form lexical fields. The words will have certain features in common, and others that distinguish them, so they can be analyzed according to their components. Componential analysis (CA) provides a relatively abstract view of the vocabulary, and learners may attribute different meanings to given words, (McCarthy 1990: 31) so they will rarely match the precision of the content that can be contained in a flashcard. This has its obvious disadvantages, but also its advantages, as it invites discussion about meaning.

Graphic organizers are ideal pre-activity primers, as they are especially effective in activating previous knowledge and then providing a logical format for learners to incorporate new input (Constantinides 2011). They allow associative thinking to be combined with more logical analysis in a powerful visual format. Vocabulary can be presented by the teacher using the framework, letting students compare and distinguish words. Alternately, an organizer can be blank, a tool for productive task in which learners fill in spaces, guided by reading, listening, brainstorming or remembering, thinking about the lexical meaning of each word, collecting, comparing and contrasting words in a given context. In writing the words down, they are also practicing spelling.

A graphic organizer is exceedingly versatile in terms of the strategic support it can provide the learners working with it. T-charts invite contrasting, and Venn diagrams present both shared and distinct characteristics. Simple grids are perhaps the most versatile. For example, a learner may use a simple parts of speech grid to list morphemes:


But alternately, and more productively I’d say, he or she might note down possible collocations using the same grid:


Graphic organizers can be used to scaffold lexical tasks of higher order thinking. In CLIL (Content and Language Integrated Leaning) and in BE/ ESP (Business English/ English for Special Purposes) they can introduce a subject and its terminology, accompany the reading of a text or a listening exercise, or prepare spoken or written production. Entered lexical chunks and collocations provide anchors the learner can refer to and retrieve freely, reading from the page, on the spot. The graphic organizer scaffolds speech, with the learner adding the “grammar words” to make complete sentences.

Business trainer Mark Powell shows trainee teachers this technique extensively in his LCCI CertTEB course. One of his charts is built around a bubble for a keyword in the center, with a line down the middle, dividing the left from the right hand side of the page. The left hand side is for words that precede the keyword, while the right is for those following it:


One can use flow charts for processes; bubble diagrams for main issues; cause-effect charts to lay out strategies; and time lines to sort out stages and turning points in a process.

Mindmaps are the freest form of graphic organizer, a highly individualized image based on the mapper’s personal take on the connections between the central theme, the concepts that branch off from it and then subordinate related words and concepts.

Paul Emmerson has created a whole course book built around graphic organizers, Business English Frameworks, which includes generic vocabulary strategically mapped out, for learners to personalize, filling in lexis from their own fields of work.

The great advantage of using graphic organizers is that they appeal to a wide variety of learners: those who consider themselves to be visual learners, those who want to write down keywords to remember them, and those who like to think conceptually and systematically. They can be used for both receptive and productive tasks, and at various stages of the learning process, so the visual layout can be used again and again and come powerfully and deeply engrained.

They can also be used by groups to collect and share knowledge. In a company course I observed recently (thank you, Khushi!), the teacher, Rosalie Khushi Pasquale, drew three conceptual mind maps on flipchart paper, and had the participants complete them, brainstorming and discussing appropriate vocabulary. While selected “experts” stood by their charts, the others moved around, completing the other charts with new input. At the end, the “experts” presented the charts to the whole group and collected feedback. Students who enjoy engaging in collaborative group work (Gardner’s “interpersonal learners”) stand to benefit most from this learning strategy.


To highlight the strengths and weaknesses of using graphic organizers, I’d like to contrast them with labeling naturalistic pictures or schemas, an approach used extensively in primary and secondary school, and in studying specialized terminology in ESP. Children will often be given outline pictures to build words into. Mark Fletcher, a trainer promoting “whole brain” and NLP activities in ELT, has used such outline drawings in adult education as well. He has a drawing of a beachside resort where learners log vocabulary items in likely areas of the picture, following up with no fewer than 10 different exercises that recycle the vocabulary in storytelling and game formats. This use of visual anchors reduces the confusion regarding lexical meaning that accompanies the more abstract graphic organizers, but also reduces the potential of having to explore meaning.

Morgan and Rinvolucri have a paradox take on labeling naturalistic outlines in a keyword exercise they call “pegwords”. In this approach, completely unrelated vocabulary is attached, or “pegged”, to a strong image, and then recalled in sequence (Morgan/Rinvolucri 1986:118). This memorizing game is highly effective for learning new lexis and jogging memory, but again represents a lower order of thinking than do graphic organizers.

The specific challenge to learners and teachers alike in working with graphic organizers remains, however: Organizing lexis is not the same thing as defining or translating it, and unless they note down concrete examples and collocations, learners may easily make errors when they go back to retrieve the lexis they learned. Therefore, graphic organizers need the support of notes, definitions, translations and/or concrete examples, logged elsewhere so as not to reduce the visual power of the organizer itself.

3. Applying lexis in extended writing

A learner needs to use the new lexis meaningfully to retain it, and the more often, the better. The group in Khushi’s company course mentioned above has developed a collective strategy that involves using the lexis given by the teacher in preparation of the next lesson to write a continuing story. Every lesson, the teacher will assign a new page (e.g. a vocabulary page from the Business Spotlight Skill Up booklet) to introduce lexis that the participants prepare on their own.

Most of the vocabulary will be somewhat familiar, though the participants tend not to use it, and will be unfamiliar with the more idiomatic expressions. One of the students is given the assignment of selecting words to incorporate in the story that has been unfolding over the past year or so, a soap opera that has everyone eagerly awaiting the latest twist, and negotiating how the story will continue. The designated author of the week pens the story (just over a page, including ten words), hands it in to the teacher, who corrects it/ gives feedback, and the author revises it and sends it back to the teacher, all before the next lesson. She then takes the new vocabulary out, creating a strategic gap fill. In the lesson, the gap fill text is handed out, and the author presents it in class, reading it out loud as the others fill in the gaps as they come up. In the lesson that I observed, the author actually presented two outcomes, in response to the teacher having questioned whether the group would accept her first version. The group then debated the outcomes with great verve, finally voting to give the next author freedom to choose which storyline to continue.

This strategy combines individual coaching in writing with collaborative group processes, fostering both individual excellence and group cohesion.

While simply writing autonomously and without direction has not proved to be an effective learning strategy (Lunt 2009), any writing guided by an agenda and feedback and possibly incorporating a social component (dedicated readers!) will promote learning: in a learner’s notebook, with pen pals, in a blog or magazine, or in an evaluated essay.

4. Documenting lexis in audio files

Many of my academic learners have their greatest difficulties pronouncing key words and specialized terminology they know only from reading. This is an area that I am still struggling to develop a proper teaching methodology for. What I have found, however, is that audio files that learners co-create and can use for revision are popular and powerful memory anchors, especially when they are personalized and connected to a given project or workshop.

Learners may wish to listen to new input repeatedly for better comprehension, as they in fact have trouble catching what they hear the first time around, or for pronunciation practice, as a gapped recording, read out slowly, short phrase by short phrase, leaving enough space to repeat. One of my students got rid of his “th” problem by reading about Paul Bunyan, the “mythological lumberjack” with me. In one to one classes students may collect an audio lexical bank, or even develop a rap around the most difficult lexis, and record it together. “Good listeners” may enjoy extended recordings to recap the lesson on their mp3 player on the way home. A brief synopsis of the lesson as a co-constructed story can be recorded as a send-off.

I encourage students to go online to explore the audio resources available there, including dictionaries with sound files, and to record themselves using online tools and to compare what they sound like with the online recordings. They need to practice this in class, as they will rarely hear the distinctions or notice the problem zones on their own, and need to train their ears and muscles then and there. But once these resources are known, students can access them on their own.


Pronunciation practice for geoscientists, 1

  • As she heard the bird, it occurred to her that the word she had heard was “a third”, not “a turd”. (ö)
  • Let me roast my toast, then I’ll head for the coast. (long o)
  • This plot shows the cost of lost lives in a dotted line. (short o)
  • All fall over the clover. (short and long o)
  • It happened so fast, I can’t understand it. (a)
  • Text the taxman
  • Text me the next vexing question.
  • Japan, Berlin (ta DA, ta DA!)
  • analysis paralysis (ta DA da da!)
  • anxiety variety (ta DA da da!)
  • These features seem equal, they exceed the mean speed.  (long ee or “I”)
  • The fissure is a feature. (short i vs. long I, sh vs. tsh)
  • We had the chance to go to Chile (tsh)
  • Rupture zones, seismic zones. (zz vs ss)
  • Mutual use (ju)
  • catalog a frog on a log
  • When Val went to Vienna he visited the valley.
  • Walk one way with me.
  • Very worried, very worried

Great sites for pronunciation: